
In its present form, Bharatanatyam is a modified form of Sadir or the temple dance performed by the devadasis ("servants of God") of the state of Tamil Nadu in South India.
It owes much of its modern presence to the revival efforts of Rukmini Devi Arundale, philosopher and the propagator of the Pandanallur school of Bharatanatyam dance, the more puritanical or esoteric form.
The other prominent style of Bharatanatyam dance was promoted by the temple dancer Balasaraswati and is known for involving more sensuous elements like hip and chest undulations, broadly termed sringara in dance parlance.
Most modern dance schools merge both styles when initiating their students.
The Dance
The word "Bharatanatyam" is composed of the sanskrit words for:
Bhaav which means emotion
Raag which means music
Taal which means rythm
Natyam which means drama
It is a unification of all these elements that give birth to this vibrant and emotive dance form. Bharatanatyam is a Fire dance, the movements of the dancer often resembling a leaping flame. The dance is mainly composed of :
Presentation
- Alarippu: An invocation to God performed at the beginning of the dance to obtain his blessings for the performance. This is also a presentation of rythm.
- Pushpanjali: This is generally done with flowers to welcome the guests and praise the Gods
- Varnam: Centre piece of the dance usually involves the most complex movements with a narrative often involving love or feelings of longing.
- Sthuthi: Hymn in praise of a deity often incorporating a feigned mockery of some of their more human aspects
- Thillana:This section showcases footwork and ryhtm in detail and is normally the concluding portion of the performance
The dance is also known for the very elaborate costumes and jewellery that the dancers wear. The particular set of ornaments used are called "temple jewellery" and the dress is a variation on the Indian sari.
Bharatanatyam is one of the most pure and unadulterated forms of world classical dance. To this day it is performed in its original form. Like the many wonders of the world, including the Pyramids of Giza and the Great Wall, this is a human creation that has survived the test of time.
It is truly remarkable that the dancers who were once inscribed on the walls of temples that are more than a thousand years old, and sung of in ancient Hindu myth, are still among us today performing the same art that inspired the sculptors and poets of old.
Though deeply spritual, the form is all inclusive and used to narrate and express a range of stories and ideas. Modern Bharatanatyam has evolved to include environmental concerns, world politics, world literature and science in its broad repartee.
Bharatanatyam, the dance of India, is like the country of its origin- chaotic, colourful, exotic and never still.